PORTFOLIO | Alexandra Silverthorne

» Ten Miles Square – uses the boundary stones of Washington, DC to explore notions of conceived, perceived, and lived space. (2010)

» Dilated – examines the various ways in which we “see” space, a question that extends beyond mere visuality. (2009)

» A Building In Which… – instinctual explorations of architectural structures. (2009)

» Midnights – nocturnal documentation of the places that my travels take me. Location details are not needed. (2008 – 2009)

» That Which Is Remaining (In This Moment) - a sculptural photographic project examining the ways that visitors communicate through a public space via discarded objects. (2009)

» I Remember – I remember the native son heartbeats from our city rise and fall rise and fall phoenix rising honu swimming pushing through waters making your own path. And I remember the hospital room the tubes and the machines sympathetic looks the smile the wink the stillness that followed. (2008)

» Summer Quartet – the smell of weather, a sense of time, journeys that begin with no known destinations, challenges to that which we think we know, late night pondering, solitude and the company of others. (2008)

» Ireland 2007 - Color holga photographs from Ireland and Northern Ireland. (2007)

» France – Black and white photographs from trips to France in 2005 and 2006. This series focuses on the search for the political, the poetic, and the absurd in unknown landscapes. (2005 – 2006)

» WDC: 8 x 10 – Through a grant from the DC Commission on the Arts & Humanities, I photographed 8 different parks throughout Washington, DC (one park in each ward). Collectively, the series of 64 photographs creates a portrait of the city. (2004)

» Hiroshima – In 2004, I received a fellowship to travel to Hiroshima and Nagasaki, Japan, and attend the World Conference Against A & H Bombs. (2004)